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What impact does it have on the viewer? All of these issues stem from  Limitation of storytelling and no use of ethnicity It's Iranian. Another thing the

filmmakers destroyed Have. It is a demonstration of the superiority of young people's thinking and ideas. That experiences Challenging adults and the

lderly. And usually the old passive And wandering, in solving problems, is seen. And a young man of twenty Thirty years old, obviously to his father or

grandfather, says the thinker You're old. And it no longer works. Eliminate knowledge And the experience, the elders, and the disruption of the process

of transferring parenting experiences to children It can't be a coincidence. And of course politics and policy There is a real story behind such stories.

And it is possible It is due to the will and policy of the government leaders These cultural and door-to-door caretakers are remembered That the

miserable nation of Iran, while enjoying all the blessings Economically, in the year 57, under the guidance of an eighty-year-old man They rebelled. Not

too bad for this contradiction. Another One of the things that happened in our cinema is that all the roles To the gray, they go, and the other person is

very good or very good Not bad in fiction films, just bad guys in movies A policy that is relevant to past regimes. Clear and clear are. War films are a

disaster. And none of the principles Storytelling and dramatic texture are not. In this way  Movies, without mentioning the factors that sparked the

film's youth, and so on  Or for other reasons. Suddenly the young love to go to the front Is. And he even faces the explicit opposition of his parents. And

No one gives me a convincing explanation. And suddenly young Shows on the front. Was this really our war? that's mean Headless youth - and meat in

front of the ball, needed And an accomplished scientist, and especially a specialist in war They had no sayable role. And the other is always operations,

to Victory was coming, while recently Mr. Mohsen  Rezaei, admitted that we, of the defeat in Karbala 4 approx We were sure. Why about failures, and

tactics, to return Failure, to victory, is not a film. The Role of Dedicated Soldiers And a specialist, who for many years has specialized in shredding bone

They were. Why not show up in the movies. But ordinary things A young man, who is about the size of a soldier, comes from angles They are different,

not random. General policy, It is a fundamental overlook of expertise. Because you can do better Abuse of emotions, financial resources and the lives of

non-specialists Kurdish. Iranian cinema in sync with looters of Iranian thought and thought, and And it was in sympathy with the destruction of Iranian

self-esteem. And to destroy the culture and Iranian economy and knowledge, closed. And making missiles, guns, and assassination Under the pretext

of an eight-year war, his scientific progress counts. Naturally dispatch Unemployed, unskilled and unskilled youth, from prosperity Physically and

spiritually, to the front and to kill them is easier said than done Sending specialists and economic and cultural people, To the front. By the way, why a

filmmaker survives for some reason Children of the authorities, in war and living longer during the war In the US and Europe, they don't pay. Especially

the Rafsanjani puppies But I'm sure. Someday such films will be made. And It will show people the horrible behavior of the system. It's a pity to lend

your eyes and ears to those for hours Who are biased, in the aftermath of the Iranian people's humiliation and destruction.