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What
impact does it have on the viewer? All of these issues stem from
Limitation of storytelling and no use of ethnicity It's Iranian. Another
thing the
filmmakers
destroyed Have. It is a demonstration of the superiority of young
people's thinking and ideas. That experiences Challenging adults and the
lderly.
And usually the old passive And wandering, in solving problems, is
seen. And a young man of twenty Thirty years old, obviously to his
father or
grandfather,
says the thinker You're old. And it no longer works. Eliminate
knowledge And the experience, the elders, and the disruption of the
process
of
transferring parenting experiences to children It can't be a
coincidence. And of course politics and policy There is a real story
behind such stories.
And
it is possible It is due to the will and policy of the government
leaders These cultural and door-to-door caretakers are remembered That
the
miserable
nation of Iran, while enjoying all the blessings Economically, in the
year 57, under the guidance of an eighty-year-old man They rebelled. Not
too bad for this contradiction. Another One of the things that happened
in our cinema is that all the roles To the gray, they go, and the other
person is
very
good or very good Not bad in fiction films, just bad guys in movies A
policy that is relevant to past regimes. Clear and clear are. War films
are a
disaster.
And none of the principles Storytelling and dramatic texture are not.
In this way Movies, without mentioning the factors that sparked the
film's
youth, and so on Or for other reasons. Suddenly the young love to go
to the front Is. And he even faces the explicit opposition of his
parents. And
No one gives me a convincing
explanation. And suddenly young Shows on the front. Was this really our
war? that's mean Headless youth - and meat in
front
of the ball, needed And an accomplished scientist, and especially a
specialist in war They had no sayable role. And the other is always
operations,
to
Victory was coming, while recently Mr. Mohsen Rezaei, admitted that
we, of the defeat in Karbala 4 approx We were sure. Why about failures,
and
tactics,
to return Failure, to victory, is not a film. The Role of Dedicated
Soldiers And a specialist, who for many years has specialized in
shredding bone
They were. Why not show up in
the movies. But ordinary things A young man, who is about the size of a
soldier, comes from angles They are different,
not
random. General policy, It is a fundamental overlook of expertise.
Because you can do better Abuse of emotions, financial resources and the
lives of
non-specialists Kurdish. Iranian cinema in sync with looters of Iranian
thought and thought, and And it was in sympathy with the destruction of
Iranian
self-esteem.
And to destroy the culture and Iranian economy and knowledge, closed.
And making missiles, guns, and assassination Under the pretext
of
an eight-year war, his scientific progress counts. Naturally dispatch
Unemployed, unskilled and unskilled youth, from prosperity Physically
and
spiritually,
to the front and to kill them is easier said than done Sending
specialists and economic and cultural people, To the front. By the way,
why a
filmmaker
survives for some reason Children of the authorities, in war and living
longer during the war In the US and Europe, they don't pay. Especially
the
Rafsanjani puppies But I'm sure. Someday such films will be made. And
It will show people the horrible behavior of the system. It's a pity to
lend
your eyes and ears to those for hours Who are biased, in the aftermath of the Iranian people's humiliation and destruction.